In the Cradle of Rhythm: Crosspulse presents the 10th Intl Body Music Festival in Dzodze, Ghana: July 6th-16th, 2018
Imagine waking up each morning to drum and dance in one of the world’s primary cradles of rhythm, amongst the world’s prime practitioners of Body Music. Then translating traditional rhythms to the conspicuous sounds of palms, fingers, legs, feet, torso, voice – exploring the confluence of Ghanaian and Body Music traditions in an uncharted cross cultural language. Throw in market days, village excursions, intercultural exchange, and the 10th International Body Music Festival (IBMF) in Dzodze, Ghana – 6-16 July 2018 will be your unforgettable Body Music Adventure.
Body Music – clapping, snapping, stepping and vocalizing – is an amalgam of composition and choreography, music you can see, dance you can hear. Humans basically have the same instrument, yet they express music on it so differently culture to culture. There is an intimacy, a primacy, of the connection people have when you use your body as the sole instrument. It’s both personal and universal.
While Ghana is “a hotbed of percussive innovation and world rhythm,” IBMF founder and Artistic Director Keith Terry explains, “historically, there has been very little Body Music in their music traditions. There is a potential for the rhythmic language that is everywhere in Western Africa – not, as yet, translated into Body Music – to be explored and articulated in new ways, and the interchange is very exciting. Our partner, Dr. Kofi Gbolonyo, an ethnomusicology professor and Dzodze native, invited the IBMF to his village for this reason.”
Co-produced by Crosspulse and Dr. Kofi Gbolonyo and the Nunya Music Academy, the 10th IBMF consists of TEN days of concerts, workshops and cultural exchange with some of the world’s finest contemporary and traditional Body Musicians, plus intensive workshops in Ghanaian drumming and dance. No prior experience in either art form required, but rampant curiosity expected.
This year’s IBMF will feature Ghanaian artists, plus international Body Music artists from the US, Brazil, France, Israel, Columbia, Austria and South Africa — in concerts, workshops, cross-cultural collaborations, jam sessions, and more. The IBMF offers a unique musical and cultural immersion opportunity for international participants to experience and engage with Ghana while embodying its rhythms in diverse ways.
“This is not a luxury vacation, but rather a deep cultural, Body Music adventure,” says Terry. “Participants will be based in a Ghanaian village for most of it, then in Accra, interacting with cultural and musical institutions there through exchanges, workshops, and nightlife. Mornings will be spent studying music and dance, and in the afternoons, students will learn to translate that learning into Body Music. Trips to other villages to see ceremonies, workshops, and performances will provide the international participants with additional opportunities to experience the roots of Ghanaian culture.”
The International Body Music Festival is both a culmination of Crosspulse’s 40 years developing Body Music as a communicative performance art and educational model; and a jumping off place for a powerful forum of cross-cultural rhythmic performance and community development.
Over the course of its nine previous incarnations, the International Body Music Festival has become a meeting ground for both students and teachers of the various styles of global Body Music. Since 2008, the IBMF has been hosted around the world, from Brazil to Turkey to Indonesia to Paris, though every few years it returns to its home base in the San Francisco Bay Area.
The Festival is a moving hub for performers who engage with humanity’s first instrument: the body itself. The shushing of palms, the snapping of fingers, the stomping of feet, and the seemingly infinite potential of the throat and mouth have inspired people worldwide to create moving music, audible dance. Tap, stepping, hambone, flamenco, beatbox, every style that forefronts the sounds of bodies in motion. It’s the oldest music on the planet, and it’s brand new.
Now, a full 40 years since he first coined the term “Body Music” back in 1978, Terry says this will be the final full-scale festival he will produce, preferring to concentrate on professional training and IBMF MiniFests after Ghana.
In honor of this decade-long benchmark, the Percuaction Global Percussion Network plans to honor Terry’s contributions to the field by presenting him with The Percuaction Lifetime Achievement Award during the time of the festival in Ghana, which adds a special value and significance to this year’s program
The Percuaction Lifetime Achievement Award is presented on an annual basis and is the organization’s highest recognition. Since 2012, the prize has acknowledged the life-time missions and achievements of percussive luminaries who have supported Percuaction’s vision of a global rhythm community.
But despite Terry’s impending departure from producing IBMF in upcoming years, he’s not at all worried about the future of the Body Music movement.
“The community will continue to grow, and there are so many places that are interested in hosting IBMF MiniFests in their communities,” he says, “Each new year, I marvel at the quality of the students and the state of the art form. You can see there are lots of embers sparking and we’re leaving Body Music in good hands with the younger generation…I can take a step back. As has happened in past IBMF locations like Bali, Brazil, Turkey, when the young generation experiences Body Music for the first time, then you go back a year later and see it everywhere. I’m really excited by this. It’s happening. It’s moving!”
Confirmed teachers/performers for IBMF 2018:
- Bryan Dyer, circle singing/beatbox (USA)
- Dr. Kofi Gbolonyo, dance/sweat (Ghana)
- Evie Ladin, MoToR/dance (USA)
- Rémi Leclerc & Quelen Lamouroux, Humanophone (France)
- Tupac Mantilla, body music (Columbia)
- Molodi, stepping (USA)
- Pedro Consorte & Zuza Gonçalves, Musica do Circulo (Brazil)
- Max Pollak, RumbaTap (Austria/USA)
- Charles Raszl, choreography (Brazil)
- Lior Shoov, improvisation (Israel)
- Keith Terry, body music (USA)
- Vuyani King Gaba Gumboots Idadla Feni, gumboot (South Africa)
Bengt Berger: The Epic of Cool Funeral Beer
First there was life; then death and then life again. Perhaps that’s because human have a natural tendency to aspire...
Music from All Corners of the World
If a record label – or imprint – were to be considered an “unfillable” library in the sense that the...
Ana-Marija Markovina: Mendelssohn – Towards the Restoration of Genius
Ana-Marija Markovina: Felix Mendelssohn Bartholdy – Complete Works for Piano [Solo] Few composers – artistic geniuses at that – have...
Joyce with Mauricio Maestro: Natureza
There has been a plethora of re-issued recordings in the past few years, but none quite like this on –...
Plínio Fernandes: Saudade
The brilliant young guitarist Plínio Fernandes proves once again [although he probably did not set out to do so] that...
Orli Shaham: Mozart – Complete Piano Sonatas Vol. 2 & 3
Mozart Sonatas K.282, K.283, K.310, K.331, K332, K545 & K576 If classical radio stations [in Toronto, at any rate] are...
Artist Profile: Nella
Nella Rojas, or simply Nella, is a new voice hailing from the Venezuelan Island of Margarita Born in Venezuela, Nella...
Artist Profile: Salif Keita
Rail Band of the Train Station Hotel, Ambassadeurs of the Motel of Bamako, Ambassadeurs Internationaux, and lately, Les Ambassadeurs Internationaux: so many bands that...
Artist Profile: Alex Cuba
His sugarcane-sweet melodies, pop-soul hooks and powerful guitar riffs, relinquish a conventional stereotype that exemplifies much of the Latin music...
Albums9 years ago
Isabel Bayrakdarian – Ravel, Sayat-Nova & Kradjian: Troubadour and the Nightingale
Albums8 years ago
Banda Magda Presents: Yerakina
Interviews9 years ago
Conversation with Chris McKhool from Sultans of String
Albums9 years ago
A Fascination With “Bombay”: Richard Bennett; Bombay Dub Orchestra