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Age-Old Vibes take on Modern Hues as ‘Sound: The Encounter’ Cultivates New Music from Ancient Civilizations

Influenced by African and Arabic music and dance, contemporary ensemble pieces blending elements of devotional songs, mystical music, and dance traditions spring forth from the south of Iran, the Persian Gulf and the Silk Route…



Influenced by African and Arabic music and dance, contemporary ensemble pieces blending elements of devotional songs, mystical music, and dance traditions spring forth from the south of Iran, the Persian Gulf and the Silk Route.

Sound: the Encounter (December 2013 Tour: NYC, Washington DC and Houston TX dates) brings together adventurous musicians from Iran and Syria who seek to reassemble diverse expressions of a shared musical heritage in contemporary forms. The result is a collection of newly-developed and arranged musical pieces inspired by the millennium-old musical legacy of the ancient Silk Route that are rooted in classical and folk traditional musical forms and re-imagined within a new artistic frame.

Ancient instruments (bagpipes, flutes and drums) take on new contemporary identities in the hands of award-winning Syrian composer and saxophonist Basel Rajoub, acclaimed Iranian musician and dancer Saeid Shanbezadeh, and up-and-coming Iranian virtuoso percussionist Naghib Shanbezadeh.

“Here we are, three artists- with three different mindsets,” muses Saeid. “We have to try to understand what we can do together with our musical knowledge. We don’t have to restrict ourselves to playing Iranian or Syrian music.”

What they have created, they simply call “music”.

It’s what artists have done for hundreds of years—shaken off the mantle of their ancestors, combining their known and learned musical ways and traditions with those of friends and collaborators from different parts of the world.

As Saeid dances and converses through a small consort of wind instruments, Basel merges oriental folk music with modern jazz lines over Naghrib’s driving Eastern rhythms to create new music rooted in a thousand-year-old tradition.

“We didn’t go the easy way of just playing jazz solos on saxophone in the middle of this music,” states Basel. “Because we have this folk music ‘stored’ inside, when you improvise, you’re improvising in the way known in folk tradition. So I started to add Oriental baselines with the saxophone. Sometimes I play the melody, which is really folk, with the microtones and all of the things that do not exist on the saxophone.”

The result is a sound that immediately conjures up the ancient ways and dances of the Afro-Islamist zar and diwan (meetings or assemblies) once found throughout Assyria and North Africa and along Afro-Persian trade routes as far east as the Gulf villages of Iran. At the same time, “Sound: the Encounter” updates this sound to represent all of the modern life that has crept in as once-isolated villagers take up residence in urban areas that can be far from home.

“It’s always interesting to explore the musical connections that cross the international borders,” observes Basel. “I mean, none of us can go back to our home countries. But at the same time it’s so nice to return there through playing this music.”

Onstage, Saeid whirls in ecstatic dance while blowing a sequence of virtuosic solo breaks on his Iranian bagpipes, Basel channels American jazz saxophonist Pharaoh Sanders’s work with Moroccan Gnawa masters, and Naghrib holds down the groove on the tombak, the traditional Iranian drum he’s been playing since the age of 11.

“The music is made by three of us: Basel, Naghib, and me,” Saeid explains. “But it’s been inspired by a lot of traditional themes, and by the music from the south of Iran, Bahrain, and Syria, and also jazz.”

“So it’s like a conversation between the physical instruments and this music,” says Basel. “It’s like getting a new sound, which is inspired by the encounter.”

On Sound: The Encounter’s December US Tour, they welcome the audience to experience the conversation and hear the new sound.

Sound: The Encounter is a new project conceived, curated and produced by the Aga Khan Music Initiative (AKMI, as part of its mandate to support talented artists who develop their musical heritage in contemporary forms and revive historical connections among artistic communities from countries and regions in which the Initiative operates. In honor of an ongoing commitment to support the artistic mission of AKMI, the New York and Houston appearances of Sound: The Encounter will be presented by the Asia Society (

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