The 2018 album from the wonderful contemporary Boston-based Neapolitan folkloric group Newpoli is different from any of their other work. Mediterraneo features original (as opposed to traditional) repertoire. The theme for this music is Nun ta vutà, Neapolitan for “Don’t look back”, lead vocalist Angela Rossi explains. It is a poignant phrase loaded with meaning especially in the context of the current historiographic situation in the region: the mass migration of persecuted members of North African countries – especially Libya, with whom Italy has a centuries-old migratory history, and, perhaps, retrospectively-speaking, the rise of extreme right-wing politics in Italy (and parts of Europe). Both these situations have had a deep impact on the young people of Europe, and indeed the rest of the world. The members of Newpoli are not immune.
But artists have different ways of expressing resistance. In the case of the African-American, for instance, it is the Blues. With Newpoli it is the music born of effervescent hope that you hear in their music even when “blue notes” are played which reflect the melancholy of forced migration, which is the overriding theme of the music. The result is a music that soars with hope through the themes and individual lyrics of fearfulness, sorrow and hopelessness. This is the music of hope, as eternal, which is something that time will surely tell, just as the great Yiddish music of the Jewish Diaspora who survived the Holocaust is. Indeed, the destruction of societies – in Iraq, Afghanistan and, with particular reference to this traditional Neapolitan-inspired music, the countries of North Africa (particularly Libya). Make no mistake, however, this is a US-based collective, and the merciless policies of Trump’s America with regard to migrating refugees there is not lost on these musicians.
While the overriding emotion may arise out of elemental sadness, hope is never far away though, and you hear this in the sense of freedom in the voices of Carmen Marisco and Angela Rossi that mix danger with beauty and despair with hope. Their travelling companions, the instrumentalists from the ebullient strings of Karen Burciaga, Björn Wennås and Jusssi Reijonen to the percussion colouring of Fabio Pirozzolo, whose soaring counter-tenor is often heard in harmony with the ladies. Daniel Meyers’ reeds are magnificent and he also contributes to the rhythmic joy of this music with his own Middle Eastern drums, while Jeff McAuliffe’s eloquent bass lines embrace this exquisitely crafted music.
As the recording progresses the listener will be moved greatly by music that is evocative of freezing nights on the high seas and craggy mountains, or long rainy nights and much uncertainty. But you will also feel the warmth of arms around this world of despair and this latter emotion is poignantly captured on “Nu Pizzicu” in lyrics which when translated read “Beautiful is the love and/the one who knows how to make it/Let us both dance together/like two doves in the dovecote”…the key words being not only “love” but equally that which will lead even strangers to “dance together like doves” of peace. Which is how each track despite taking us to a wild place always also reassures us that we are with trusted and inspiring musical friends.
Track list – 1: Mediterraneo; 2: So’ emigrant; 3: Pizzica degli Ucci; 4: Lagr’m’; 5: ‘Na voce sola; 6: Me ne vogghje scenni ‘n fintanella; 7: Tarantella avernetella; 8: Tarantella della Sciffra; 9: Lu poveru Vicenzino; 10: Nu pizzicu; 11: Lu jocu di la palumbella; 12: Iere Sera
Personnel – Carmen Marsico: lead and background vocals; Angela Rossi: lead and background vocals; Björn Wennås chitarra battente, mandola, classical guitar and background vocals; Fabio Pirozzolo: tamburello, frame drum, doumbek, riq, small percussion, lead and background vocals; Jussi Reijonen: oud, mandola and classical guitar; Daniel Meyers zampogna, ciaramella, recorders, ocarina, ciaramella, frame drum, daf and background vocals; Karen Burciaga: violin, small percussion and background vocals; Jeff McAuliffe: bass
Released – 2018
Label – beartones
Runtime – 1:06:18
Music from All Corners of the World
If a record label – or imprint – were to be considered an “unfillable” library in the sense that the...
Ana-Marija Markovina: Mendelssohn – Towards the Restoration of Genius
Ana-Marija Markovina: Felix Mendelssohn Bartholdy – Complete Works for Piano [Solo] Few composers – artistic geniuses at that – have...
John Cage: Etudes Australes
John Cage The Complete Etudes Australes – Grete Sultan: pf Guru to some, charlatan to others, John Cage constantly challenged the very idea...
Okaidja Afroso: Jaku Mumor
This is a spectacularly original album Jaku Mumor – an ethnomusicologist’s delight – is a mystical album of music with...
Catrin Finch Seckou Keita: Echo
A string gently caressed, somewhere between pizzicato and a curved legato seemingly played with soft flesh; a chord strummed on...
Berta Rojas: Legado
Even with a first spin of this recording Legado one wonders who but Berta Rojas could have played this music...
Artist Profile: Nella
Nella Rojas, or simply Nella, is a new voice hailing from the Venezuelan Island of Margarita Born in Venezuela, Nella...
Artist Profile: Salif Keita
Rail Band of the Train Station Hotel, Ambassadeurs of the Motel of Bamako, Ambassadeurs Internationaux, and lately, Les Ambassadeurs Internationaux: so many bands that...
Artist Profile: Alex Cuba
Alex Cuba is a Latin Grammy/Juno winner, singer-songwriter who is not tied to tradition; Alex has a vast musical vision....
Albums9 years ago
Isabel Bayrakdarian – Ravel, Sayat-Nova & Kradjian: Troubadour and the Nightingale
Albums8 years ago
Banda Magda Presents: Yerakina
Interviews9 years ago
Conversation with Chris McKhool from Sultans of String
Albums9 years ago
A Fascination With “Bombay”: Richard Bennett; Bombay Dub Orchestra